2013-2016, Acrylic nails, glue, polyurethane
In her nail sculptures Goodman uses one of fashion’s ultimate feminine accessories – the false nail, which she layers and overlaps to create form, movement, pattern, and structure. False nails, for Goodman, signify a culture of excess and transience. The artist is interested in false nails as an expendable extension of the body – and has counteracted this by using the nails not to extend the body, but through emphasising size and shape to create bodily forms. The artist states: “Some of the sculptures are abstract and consider ideas of oozing, spreading, and writhing. Others suggest snakes and scaled creatures”. These enigmatic works are threatening and foreboding--their shape and scale emulate predators, which smother and overwhelm, yet are simultaneously impotent. The layering and positioning of the nails insinuates movement, yet these works are ostensibly static and, on closer inspection, fragile.
Photographs by Anthea Pokroy and Benji Liebman